Digital Humanities and Digital Classics

For Materials and Methods (509)

Francesca Giannetti

October 9, 2025

Link

Go to slides.francescagiannetti.com for the slides.

What is/are Digital Humanities?

The “field” of DH

Source: Julia Flanders, “Overview of Text Encoding and the TEI.”

Definitions

The application of computational technologies and digital methodologies to research in the humanities: the application of humanities methodologies to the study of digital phenomena.

 

Claire Warwick, “What is Digital Humanities?”

Definitions (cont.)

DH is defined by communities of practice, whether those are of shared methods, research questions, values, or something else.

 

Amanda Visconti, “A Digital Humanities What, Why, & How”

DH: An informal taxonomy

Shifts in scale: close reading, distant reading, both at once

Shifts in perspective: Latino/x, Black DH, Global DH, Queer DH, Right-to-Left (RTL), and so on

Exploration: Digital collections and exhibits, exploratory visualizations/interfaces

Play: Electronic literature (e-lit), data sonification, #DHmakes (on Bluesky), analog/digital mashups, glitch, failure, generative art/poetry

Local examples

Signs@40

Topics over time

Local examples (2)

The Badian Collection: Coins of the Roman Republic

Sidenham 954

Local examples (3)

Personal Correspondence from the Rutgers College War Service Bureau

Correspondence map

Beyond Rutgers

COINS

“Off the Grid: Visualizing a Numismatic Collection as Dynamic Piles and Streams”

Beyond Rutgers (2)

Papyri.info

P. Koeln. 1 18, Herodotus, Historiae

Some Key Methods in Digital Classics

  • International Image Interoperability Framework (IIIF)
  • Linked Open Data (LOD)
  • Text Encoding Initiative (TEI), esp. EpiDoc
  • 3D imaging and modeling

Information resources

Rutgers DHI

Readings

  • Elliott, Tom. “The Pleiadic Gaze: Looking at Archaeology from the Perspective of a Digital Gazetteer.”
  • Walsh, Lisl. “Futures of Classics: Obsolescence and Digital Pedagogy.”

Elliott

In Pleiades, therefore, places are conceptual entities: we apply the term to any locus of human attention, material or intellectual, in a real-world geographic context, whether or not it can be named or mapped or visited today. The spatial aspects of Pleiades places (that is, latitude and longitude coordinates in space), as well as their ancient and modern names, are subordinated to this idea of place, becoming optional attributes in the information construct, rather than first-class entities

Elliott (2)

Advantages of digital format: open, online, editable, extensible, interoperable, citable, not limited by length

Connections and relationships become machine actionable through Linked Open Data

Pleiades makes the citation of place as straightforward as a textual citation through URIs

Elliott (3)

In throwing off the normalizing tyranny of a single map view to embrace the radical equality of all places, Pleiades was born citation-ready.

Linked Open Data

  • Structured information in a machine readable format
  • Interoperable, using internationally adopted standards
  • Openly published

Attribute-value pair

place=identifier

Ancient Corinth=Q1363688

[Modern] Corinth=Q103011

Triples

  • In LOD, relationships between items are expressed as triples
  • E.g. currency:corinth.bmc_corinth.79-80 event:mintedIn place:Q1363688

Triples (cont.)

subject predicate object
currency:corinth.bmc_corinth.79-80 event:mintedIn place:Q1363688

Ontologies

Walsh

Unlike undergraduate curricula in English literature, History, or Modern/Foreign Language, a Classics curriculum often necessitates an acknowledgement of the relative scarcity of its evidence and the consequent necessity for multi-disciplinary approaches to the evidence we do have. The skill this trains, I propose, could be called “partial-puzzle analytics.”

Walsh (2)

Resist making value judgments about which methodological tools are more/less important

Emphasize using multiple tools, and multiple “correct” versions

“Thinking like a Classicist” or “partial-puzzle analytics” is the contribution of Classics to the public good

Using the study of Classics as a means to learn a tool harms the future of the discipline

Questions

Elliott champions the approach of Pleiades in comparison to previous atlases. What might be the drawbacks?

How do you see the relative importance of digital tools in your areas of study?

Thoughts about how the discipline of Classics should or should not change in response to the times?

Exploration

  • Time permitting, let’s look at Recogito, a Pelagios affiliated project that facilitates collaborative semantic annotation.