2026-10-15
Tudor blackwork embroidery
Dr. Sloper: A hundred women are prettier, a thousand more clever, but you have one virtue that outshines them all.
Catherine: What, what is that?
Dr. Sloper: Your money!
Catherine: Father!
Dr. Sloper: You have nothing else.
Catherine: Oh, what a terrible thing to say to me.
Dr. Sloper: I don’t expect you to believe that. I’ve known you all my life, and I’ve yet to see you learn anything. With one exception, my dear. You embroider neatly.
Embroidery was for a very long time a set of practices that oppressed women. But you can find examples in almost every culture of women who found in embroidery itself, a way of subverting that oppression. Who found a way of escape, of creating, of protesting, a way of sharing, of collectively creating, of even having an economic advantage through embroidery.
Loaded with gender connotations and power hierarchies, fiber and textile traditions [… ] provide a fitting platform for examining tastes, roles, and relationships socialized within and around gay and lesbian culture. And thread—be it yarn or embroidery floss—parallels the potential for connectivity in our lives as same-gender-loving and gender-non-conforming peoples. Our commonalities may be as thick as a knot or as thin as a string. As individuals, we are strands; as communities we are interwoven. Both can be broken or braided.

I wanted to stab someone 8000 times. Instead, I cross-stitched an ancient design.
Sarah Kenzior, The Craftsman. Image by Melissa Capriglione.
A few examples, past and present.


The word ‘steganography’ refers to the act of concealing secret information within something public, in order to avoid detection. In other words, hiding something in plain sight.
Jordan Cunliffe, Record, Map & Capture.


Anything you care about, really. A few ideas:
Dina Van Bergh’s wedding dress, SCUA
detail
Double Ax Head quilt, ca. 1890s
A geometric blackwork pattern, interrupted
embroidery inspired by a spectrogram of a 52-hertz whale
Moving from data collection to data transformation.
| date | all_social | news_reading |
|---|---|---|
| 2026-03-15 | 68 | 55 |
| 2026-03-16 | 75 | 93 |
| 2026-03-17 | 32 | 351 |
| 2026-03-18 | 46 | 111 |
| 2026-03-19 | 86 | 103 |
| 2026-03-20 | 37 | 298 |
| 2026-03-21 | 40 | 4 |
| all_social | news_reading | total | percent_social | percent_news_reading |
|---|---|---|---|---|
| 68 | 55 | 123 | 0.6 | 0.4 |
| 75 | 93 | 168 | 0.4 | 0.6 |
| 32 | 351 | 383 | 0.1 | 0.9 |
| 46 | 111 | 157 | 0.3 | 0.7 |
| 86 | 103 | 189 | 0.5 | 0.5 |
| 37 | 298 | 335 | 0.1 | 0.9 |
| 40 | 4 | 44 | 0.9 | 0.1 |
I wanted to create a design that is 9 shapes across, instead of 10, so I reconfigured my two variables to be a proportion of 9.
(raw number / maximum possible raw number) * 9
Data Center Workload
Nancy Smith, Making with Data
Jordan Cunliffe, A Day in the Life
Jordan Cunliffe, Record, Map & Capture
Pam Lach, Sleep Viz
Pam Lach, Sleep Viz
Reflect and sketch: Sketch out your data idea on the provided graph paper. Need inspiration? Consider:

Let’s use the fabric pen to trace your design (or a grid to support it). And start stitching!
Enter a project into the Big Ten Academic Alliance’s Love Data Week Data Visualization Championship! Students should use the NCAA Women’s Basketball data. Faculty and staff can use any data from their own research or BTAA-related. The winner last year of the faculty/staff entry produced a quilt, so handmade, physical objects are welcomed!
That was a lot. Let me know if it would be fun to work on your embroidery collectively in person or online!
Francesca Giannetti
Digital Humanities Librarian
fg162@rutgers.edu